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Lawrence F. Bassett




The Doctor and His Wife

The arrival of the doctor’s float plane on the lake each August was a considerable highlight of our summers, right up there with the big fireworks on the Fourth and the beauty pageant to crown—what else could we have called her?—"The Lady of the Lake."

“You hear?” they’d say at the village store. “The doctor’s here.”

“Oh yeah?”

“Came in yesterday. Cal Johnson saw him. Said he landed that plane of his soft as a mother’s hand on a baby’s bottom.”

“Cal said that?”

“Well, not about the baby’s bottom—no.”

Cal about as poetic as a door.

The doctor, though, was poetry—or romance, at least. The way he flew his own float plane to the lake from God-knows-where. The cut of the sportcoats you always saw him wearing, even steering his big inboard across the lake. His lean frame. Matinee-idol good looks.

It wasn’t long after the war when the doctor first flew to the lake. Talk was he’d been a Navy flyer in the Pacific somewhere. Had taken a leave of absence from medical school to fly off carriers, shoot down the Japanese.

No one really knew.

He kept to himself, and while he was amiable enough when you met him, he could be taciturn, too. Uncommunicative. He’d tell you the time of day if you asked him, but wouldn’t volunteer the kind of day it was, the weather we were having. Didn’t ask after your family, express an opinion on how the walleyes were biting at his end of the lake, where the fishing was always thought to be superior.

“Quiet fella,” they’d say at the store.

“Oh, yeah,” they’d say. “But still waters, though—they run deep.”

“That so?”

“Heard it was.”

And the doctor’s wife was beautiful.

When the doctor first brought her to the lake, it was already Eisenhower's second term. Even up here at the lake we had seen pictures of Senator Kennedy’s wife in the magazines. Comparisons were made, in the doctor’s wife’s favor, mostly.

“This is Lydia, my co-pilot,” is how the doctor introduced her at the store.

He smoked a pipe, she cigarettes. They kept an old jeep at their place at the lake, and when they came into the village for supplies he’d stay sometimes behind the wheel of the jeep while she went inside the store to shop. Prince Albert tobacco for him, in the can; Lucky Strikes her brand.

We had known her name was Lydia, of course, before she was introduced—information gleaned, like the doctor’s title, from envelopes addressed to them, carefully scrutinized by Alton Ward, our rural carrier.

Before they had children, the doctor’s wife would go out on the doctor’s boat with him and sunbathe while he fished. She wore a chaste tank suit, those who saw her said, and would wave back if you waved — something the doctor never did, being too occupied with testing the walleyes’ hunger. Or their gullibility.

The picture of them on that boat on the lake. He in sportcoat and polo shirt over khaki wash pants, canvas shoes, casting his fearsome trebled-hooked plugs at the walleye; she in her tank suit on a towel laid across the fantail of the boat, lazily returning the waves of passersby.

Then their children arrived. There were two—a boy and a girl, not too many years apart.

Mrs. Foster, at the village store, had anticipated each of them.

“Doctor's wife’s pregnant,” she had said each time, sagely informing her confidants, who included almost everyone who stopped by the store.

No one was quite sure if they approved of the doctor landing his plane on the lake with a pregnant woman at his side in the cockpit, but all were sure it was our place to consider the question. We had, after all, a proprietary interest in the doctor and his wife and, after they arrived, their children, too.

But our interest was always at some remove.

There were two societies at the lake, Memorial through Labor Day — the summer people whose cottages lined the lakes south shore or who stayed at the old lake lodge and the locals who inhabited the village on the north shore or the farms with their fields beyond — but the doctor and his wife belonged to neither. They kept as aloof from the club dances at the lodge as they did from the round and square dancing at the Grange, and when their children reached their teens and became of considerable interest to the lovelorn boys and girls their ages on both shores of the lake, that interest was rebuffed. Or not rebuffed, exactly. Ignored.

After their children were grown, the doctor and his wife came alone again to the lake each August. They aged, and there came a time when the doctor’s plane didn’t land. The doctor’s wife came by herself, by car, and commented, buying cigarettes at the village store, how high prices had become.

And a few years after that, the doctor’s place at the lake was sold.

The new owners, who were gregarious, told everyone who would listen how they despaired of ever fixing up the doctor’s place, and they tore the old place down eventually, replacing it with what everyone said was a wonder—a place so big and marvelous it quite took your breath away.

And everyone had seen it, too, this wonder, because the new people were sociable, inviting summer people and locals, too, to picnics and parties and barbecues.

“Nice people,” people said at the village store.

“Oh, absolutely,” people said, eager for their invitations to the new peoples’ latest soiree.

“Not like the doctor and his wife.”

“No—not like them at all,” people said. And it took a keen ear to hear the loss in that—the lost poetry or, at least, the lost romance.





©2008 by Lawrence F. Bassett

Lawrence F. Bassett was born in a small Pennsylvania town, just after the Second World War, He became an English teacher and moonlighted as an electrician, a stagehand, a motion picture projectionist, a climbing and skiing instructor, a township road worker, an advertising copywriter and creative director, and a public address sports announcer. He eventually retired from teaching high school English in another Pennsylvania town not fifty miles from where he started out. His novel Marjorie was published by Sterlinghouse in 2002, and his stories and poems have been published in many journals, including Artisan, Pennsylvania Reader, Iconoclast, English Journal, Pittsburgh City Paper’s “Chapter & Verse,” and Blue Collar Review.


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