Slow Trains Literary Journal

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Kristen Roupenian




The Night Bus


The night bus out of Kampala crosses the Kenyan border at 8:30 pm, an hour after dark. Awino, who is afraid to be outside after nightfall, arrives at the border station just before sunset. She buys a ticket to Nairobi, leaves her luggage behind the desk, and crosses the street to a small café. The Coca-cola is warm, and the French fries cool and doughy, but she eats everything she’s ordered, and by the time she’s finished, dusk has settled in.

As soon as the first florescent lights buzz on, illuminating the fronts of shops and bars, the town is a different place, and one with which she’s unfamiliar. The women’s voices, as they shout to each other from store to store, sound wilder than they did just an hour before. The men are rowdier. The children keep their thumbs firmly in their mouths, and many of them seem to be unattended, lost.

Or maybe that’s just her imagination.

Although she is less than an hour from her home, in a town that is not unfamiliar, part of her believes that the darkness that surrounds this small patch of well-lit road is absolute. At home, in the small house that she shares with her mother and three sisters, she doesn’t mind the night-time. There, the weak, warm glow of the kerosene lamp is more than enough. But here, the cold light that pours from the scattered bulbs along the street has the effect of calling attention to the night, highlighting its darkness.

She shivers. Today, like all the other days, was bright and hot, but not an hour after sundown she already feels a chill. Her sweater is packed away in her luggage, and the bus is due soon. Standing up, she pushes in her chair, and checks to make sure her money is tied tightly in her shawl. Then she crosses back to the bus station, holding her breath as she passes through the small unlit spot at the center of the road.

Inside, the benches are crowded with waiting passengers, and the floor is a maze of suitcases. The man behind the desk takes a long time to find her bag. When he finally passes it back, she wonders why she always trusts the bus company to watch her luggage. Few of the other passengers do. Most of them stand guard over their belongings as though expecting someone to sprint by any minute and try to snatch their things away.

As soon as she unzips her bag, she realizes her sweater is not in its usual place, but she spends an extra ten minutes rooting through the bag before she is sure that it’s gone. She is upset at the loss, but more unnerving to her is the fact that she’s discovered its disappearance so soon after becoming suspicious of the people at the station. Sometimes, when she is alone in a crowded place, the clamor inside her head seems to combine with the raucousness of the people around her, so that she begins to feel as though the border that separates her from the rest of the world is dissolving. As though not only may other people know her thoughts, but her thoughts may actually belong to other people.

Outside, the twin headlights of the night bus approach the station. The passengers scurry out to claim their seats, but to Awino, the bus looks as though it is surfacing from some abandoned place where the darkness is total. People cluster around the bus, and as they cross in front of it to enter, they pass through the headlights, casting off shadows that flicker wildly in the road. Watching them, Awino thinks of moths: their fluttering motion, the way they are drawn and caught by any indiscriminate light.

Minutes pass, and Awino remains in the station. At last, with a sound like a choked cough, the bus comes to life, and the noise breaks her reverie. She hoists her bag over her shoulder and clambers onto the bus, avoiding the driver’s glance. In the seat next to hers, a woman is already asleep. Awino pushes past her, gently. The woman doesn’t wake, and Awino looks out the window as the bus pulls away.

The night passes. A man who has been sipping from a smudged glass bottle gets drunk. He shouts at the women nearby him, first obscenities, then curses. The other passengers demand that he be put off the bus. The man’s brother is with him, and is ready to fight. The driver refuses to take sides. Soon many people are shouting. In the midst of the argument, the drunkard falls abruptly to sleep. Within a minute, the whole bus is quiet again.

Awino watches the road. Away from the electricity, it is almost entirely dark. Except: in some villages, there are people sitting outside. Three or four women are clustered together, sharing one open lamp. At first, it is hard for Awino to make out what they are doing, but then she sees – they are selling vegetables. The lamps cast mostly shadows but she glimpses red tomatoes, pale purple onions, green mangoes. Once, she catches sight of a heap of small silver fish, glinting in the dim light.

All day in a packed marketplace, a woman might sell to fifteen customers, make seventy or a hundred shillings at most. At night, after dark, how many people venture from their homes to buy a tomato or an onion for seasoning? It can hardly be enough to make the women’s vigil worthwhile. Yet here, along the main paved street, along rocky side roads and the smallest dirt paths, are their scattered and glittering lamps. Once she begins looking, they are everywhere.

When the bus reaches the highlands, the temperature plummets. Cold wind threads through the space between the panes of the window and strokes Awino’s forehead. She has been resting lightly, and now awakes, startled and shivering. Trying to hoard enough warmth to sleep, she curls herself into a tight ball, her feet beneath her, her hands hidden within her sleeves. Though she closes her eyes, and even imagines she’s dreaming, the cold prevails. After an hour, she is ready to give up, to spend the rest of the night peering out the window at the road flying by.

Just before she sits up, something soft and heavy settles on her shoulders. It is a man’s dress coat, carefully placed by the passenger sitting behind her. At first, she tenses, fearing an unwelcome obligation. But before she can form the words to refuse, she is warm again, and falls asleep.

When Awino opens her eyes, the bus is parked in the station. Many of the passengers have disembarked. Others are still dozing, their blankets pulled up over their faces. She turns to look at the man behind her. He is awake, sitting with his hands folded in his lap and looking out at the parking lot. As she hands him his coat, he nods politely, as though it were she who had done him the favor. Then he stands, shakes her hand, and leaves. He does not speak a word.

Awino sits for a while longer, thinking about yesterday, and the day to come. She wonders once more about the women selling vegetables, resolves to ask her mother about it when they see each other again. Without the coat, her hands are chilled, and she is starting to feel hungry. There is no reason to stay any longer. Gathering her things, she walks down the aisle and off of the bus. Soon, the shops will be open and she will buy a biscuit and a warm cup of tea. From the streets come the sounds of a city waking up. It is just beginning to be morning.



©2005 by Kristen Roupenian

Kristen Roupenian graduated from Barnard College in 2003, and recently returned from two years in Kenya with the Peace Corps. At the moment, she’s living on Cape Cod, working at a bookstore, and writing as much as she can.


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