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writers on the creative life
featuring Joy Harjo
Native Joy for Real is Joy Harjo's new CD release, long-awaited since the appearance of her award-winning Poetic Justice CD, Letter From the End of the Twentieth Century. This project marks a shift in her musical style and accomplishment, from a native dub jazzy-reggae spoken word to a song-chant-jazz-tribal fusion, with Harjo singing. Her voice has been compared by early reviewers of the preview CD to Suzanne Vega or Sade.
1. When did you start writing?
Not until I was in my early twenties. Writing was set off by crisis...the crisis of an age, by injustice and the need to find words to convey what my paintings couldn't. Funny, I never considered it quite that way until now. And then took up music to go beyond the words.
2. What is your writing routine like?
Routine. I wish. When I have a solid routine I write early in the morning...then come back and hammer away at it at night. Lately I've been up at 4:30 to 5AM and have been writing. I'd rather sleep a little longer, but it's the cycle right now, brought on by vicious jet lag on my return from South Africa. What I've found is that consistency is important, whether it be writing, playing music, working out, whatever it is. It's important to have that consistency.
3. Who are some of your favorite writers, and which writers have had the strongest influence on you?
My favorite writers include Jean Toomer, Leslie Silko, Ray Young Bear, Were Were Liking, Toni Morrison, and recently I have been reading Mary Oliver. The strongest? Depends on when. Actually, Pablo Neruda had a very strong influence on me when I first began writing. Then Galway Kinnell. And Borges.
4. Besides writing, what are you most passionate about in your life?
Saxophone. And various strands of mysticism. And outrigger canoe paddling and racing.
5. What kind of music do you enjoy, and do you find that music has an influence on your writing?
I listen to just about everything. Actually, I love Persian musics, Urdu, Flamenco, raunchy 49 songs (contemporary native song form), the jazz of Coltrane and others who play for heart not technical acrobatics...and yes of course it influences my writing. I've been writing my own songs, wrote all of the ones in my new album, Native Joy for Real. Some are poems that were translated directly to lyrics, like "Grace". Others I lyricized, like "Woman Hanging from the 13th Floor", and others I wrote solely as lyrics.
6. Where are your favorite places to travel?
Paris. I could live there. Ditto for Cairo. And the South Pacific. And Italy of course, around Lucca and Rome.
7. Where do your best ideas come from, or, what creates your most inspired state?
I wish I knew so I could be inside that place always.
8. Do you have any interesting vices that you'd care to share, and have they helped or hindered your writing?
Hmmmmm. I don't know if they're "interesting"...is laziness interesting? I don't think so. And I don't think horses are a vice, unless you bet on them. Buying guitars, maybe. Or keeping up with the latest in PDA's. And others I won't share.
9. Yeats said that the only things worth writing about are sex and death -- what would your list include?
My list would include Yeats list. Perhaps everything on this earth leads to or from sex and death. I also see poems as paths to the unseen, unknowable -- which could be included in the sex and death arena, too.
10. What's next for your writing?
I'm working on new songs/heavy on instrumental, lighter on words than my most recent CD. And poems, always. And I have a book of stories I'm finishing up.
Listen to an audio interview with Joy, on Native American Calling.
Sample a track from Native Joy for Real -- The Last World of Fire and Trash - mp3
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